Why We Are Obsessed With ‘Spider-Man’ Leading Lady Laura Harrier

laura harrier

If you don’t already know who Laura Harrier is, you should probably get familiar. At just 26, this model turned actress is taking Hollywood by storm as the leading lady in Spider-Man: Homecoming. Harrier’s role in the summer blockbuster has taken her around the world to steal the hearts of many adoring fans.

Originally from Evanston, Ill., Harrier made her to move to the Big Apple to attend New York University’s Gallatin School of Individualized Study. But she deferred enrollment after consistently booking some major modeling gigs, which catapulted her career. After posing in ads for brands like Steve Madden and Garnier skin care, she realized her true calling was acting. Prepare to become obsessed by this amazingly talented, intelligent, and beautiful girl next door.

Source: Yahoo News

This is Who Won at the 2017 LA Film Festival

la film festival

Well, that was fast! Like all good times, the 2017 LA Film Festival has seemingly come and (very nearly) gone faster than seems humanly plausible. Could it really be that—as of this time next week—the Festival Lounge will be no more, reduced to a simple patch of green grass at the foot of business-as-usual Culver Studios? Or that the ArcLight will be suddenly vacated of Festival fare, replaced by the deafening whooshes and booms of summer movie season?

But not quite yet—there are prizes to be given out first. Handed out June 22 at a mid-morning brunch on the Festival Lawn hosted by LA Film Festival Director Jennifer Cochis, the awards brunch celebrated jury prize honorees from the Festival’s U.S. Fiction, World Fiction, Documentary, Nightfall and LA Muse categories. Audience Awards were also presented for Fiction Feature, Documentary Feature, Short Film and Web Series.

As 2017 Spirit of Independence award recipient Miguel Arteta said, quoting his late father, “A lo hecho, pecho. No matter what happens, keep going,” adding, “people have a craving for honesty and authenticity and they come to independent films for that”—a motivating fact of life for this year’s Festival and its filmmakers. Here are this year’s winners:

The U.S. Fiction Award went to Elizabeth Rohrbaugh and Daniel Powell for Becks, which made its World Premiere at the Festival.

The U.S. Fiction Cinematography Award presented by Aputure, which awards $4,000 in lighting equipment to a winning Director of Photography, went to cinematographers Christian Sorensen Hansen and Pete Ohs for Everything Beautiful is Far Away, which made its World Premiere at the Festival. Jury Members: Duncan Birmingham, Riley Stearns and Emily Ting.

The World Fiction Award went to Diego Ros for The Night Guard (El Vigilante) which made its North American Premiere at the Festival. Jury Members included Caroline Graham, Lincoln Jones and Javier Fuentes-León.

The Documentary Award went to Amanda Kopp and Aaron Kopp for Liyana, which made its World Premiere at the Festival. Jury Members included Katherine Fairfax-Wright, Paul Federbush and Matt Holzman.

The LA Muse Documentary Award went to Mark Hayes for Skid Row Marathon, which made its World Premiere at the Festival.

The LA Muse Fiction Award went to Savannah Bloch for And Then There Was Eve, which made its World Premiere at the Festival.Jury Members included Susan Burke, Juan Iglesias and Kimrie Lewis-Davis.

The Nightfall Award went to Amanda Evans for Serpent, which made its World Premiere at the Festival. Jury Members included Jimmy Tsai, Clarke Wolfe and Andrew Curry.

Best Short went to A Funeral for Lightning, directed by Emily Kai Bock. The award for Short Documentary went to Black America Again, directed by Bradford Young. Jury Members included Kim Adelman, Jonni Cheatwood and Naomi Ladizinsky. Special Jury Mention for Excellence in Storytelling went to Balloonfest, directed by Nathan Truesdell.

The Audience Award for Documentary Feature Film was given to Skid Row Marathon, directed by Mark Hayes.

The Audience Award for Fiction Feature Film went to The Keeping Hours, directed by Karen Moncrieff.

The Audience Award for Short Film went to Swim, directed by Mari Walker. The Audience Award for Web Series went to High & Mighty, directed by Carlos Lopez Estrada.

Additional Special Jury prizes went to actor John Carroll Lynch (Anything), documentarian Billy McMillin (The Classic), actress Kate Nhung (The Housemaid), director Hong Sangsoo (On the Beach Alone at Night), actress Auden Thornton (Beauty Mark) and filmmaker Bruce Thierry Cheung (Don’t Come Back from the Moon).

Source: Matt Warren for Film Independent Blog

Holland, cast delight in ‘Spider-Man: Homecoming’


Holland, cast delight in ‘Spider-Man: Homecoming’

One thing is certain: Culture has not been lacking in takes on Spider-Man for the past 15 years. First there was Tobey Maguire, who under the direction of Sam Raimi for three films ushered in the modern superhero era, and then there was Andrew Garfield whose two films with Marc Webb were immediately forgettable. And now, like all obedient franchises, they’re trying to start all over again, this time with the much more age-appropriate Tom Holland in “Spider-Man: Homecoming.”

The film is overflowing with stellar talent, even in the smallest of roles and not counting the Marvel loaners in Robert Downey Jr. (who oozes charisma and charm even when phoning it in for a handful of scenes) and Jon Favreau. In the high school alone, there’s the too-cool Michelle (Zendaya), the crush Liz (Laura Harrier) and the adorable breakout best friend Ned (Jacob Batalon). Hannibal Buress and Martin Starr are there, too, to add reliable laughs. Adrian’s bad-guy crew includes Logan Marshall-Green and Michael Cernus. Even Spider-Man’s suit has an Oscar winner behind its voice (Jennifer Connelly).

Then of course there is Holland, a terrific actor since “The Impossible,” who is the perfect amount of empathetic, excitable and clueless to make Peter Parker work now and for years to come. For the most part, “Homecoming” is a joy. It’s light-hearted, smart, a little meta and the first Marvel film to really consider what it might be like for kids living in a world where superheroes are real.

My only quibble with “Spider-Man: Homecoming” is that for all of its charming and infectious realism about race, high school life and class issues, it has a bit of a woman problem. Simply: every significant and semi-significant female character looks like a model. It wouldn’t be an issue were the film not so spot-on with casting such a realistic variety of men and teenage boys, or if it were less concerned with hammering down on the “Aunt May is hot” bit that goes a little too far, but when taken together you start to wonder if maybe things would have been different if just one of the six screenwriters was a woman.

But just as Peter has some growing up to do, so does this young franchise.

“Spider-Man: Homecoming,” a Sony Pictures release, is rated PG-13 by the Motion Picture Association of America for “sci-fi action violence, some language and brief suggestive comments.” Running time: 133 minutes. Three stars out of four.


MPAA Definition of PG-13: Parents strongly cautioned. Some material may be inappropriate for children under 13.


Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr

In Time – The Movie

in time

In Time movie reminds us about our very society. The rich becomes richer, wealthy and powerful, but the poor becomes poor and weaker each day. Life is paid out a minute at a time. The rich can live forever and the poor die young.

In Time is a 2011 American dystopian science fiction action thriller film written, directed, and produced by Andrew Niccol and starring Justin Timberlake, Amanda Seyfried and Cillian Murphy that takes place in a society where people stop aging at 25 and each has a clock on their arm that counts down how long they have to live. The film was released on October 28, 2011.

In 2169, people are genetically engineered to stop aging on their 25th birthday. Each has a digital clock on their forearm; when they turn 25, they stop aging and their clock begins counting down from 1 year.[Note 1] When the clock reaches zero, that person “times out” and dies. Time has become the universal currency, and can be transferred between people or “time capsules”. The film focuses on two specific “time zones” in what used to be Los Angeles: Dayton – a poor manufacturing area where people generally have 24 hours or less on their clock at any given time – and New Greenwich – the wealthiest time zone, where people have enough time on their clock to live for centuries.

Will Salas is a 28-year-old Dayton factory worker living with his 50-year-old mother Rachel. He rescues a drunken 105-year-old man named Henry Hamilton from an attempted robbery by a gang of “Minutemen” (time-robbing thugs) led by 75-year-old Fortis. Hamilton reveals to Will that the people of New Greenwich hoard most of the time for themselves to live forever, while constantly increasing the cost of living keeps poorer people dying. The next morning, Hamilton transfers 116 years of his time to a sleeping Will, before timing out and falling off a bridge. Raymond Leon, leader of the police-like Timekeepers erroneously assumes that Will played a part in Hamilton’s death.

Will visits his best friend Borel and tells him of the time he received. Borel warns him that having so much time within Dayton will get him killed. Will gives Borel ten years in return for their years of friendship before going to wait for his mother so they can move to New Greenwich. Rachel uses all but 90 minutes of her time to pay off a 2-day loan and finds herself short for a bus fare to get home. She urges the bus driver to lend her a loan of 30 minutes that her son will pay off but to which he refuses and advises her to run. She times out in Will’s arms before they can reach each other and Will can lend her time.

The following morning, Will heads to New Greenwich. He visits a local casino and meets 110-year-old time-loaning businessman Philippe Weis and his 27-year-old daughter Sylvia. While playing poker with Weis, Will comes dangerously close to timing out, but eventually wins 1,100 years in a flawless gamble. Sylvia, impressed, invites him to a party in the Weis mansion. Will buys a shiny new sports car and drives himself to the party. After a quick dance, down at their private beach Will tempts Sylvia into a moonlit dip in the waves (her first brush with danger). Once back indoors Will is surprised by the Timekeepers, there to arrest him.

Dismissing Will’s claim of innocence, Raymond confiscates all but two hours of his time. When asked why he’s investigating a suicide, instead the Timekeeper insinuates he knew Will’s father. Left with little choice, Will takes Sylvia as hostage and drives back to Dayton. They are ambushed by Fortis’ gang, crash the car and are left with 30 minutes each. Will attempts to get some time back from Borel, but his wife Greta tells him that he has drunk himself to death with nine years left on his clock, blaming Will for the stupidity of his generosity. Sylvia pawns her diamond earrings for extra time, and Will calls Weis to demand a 1,000 year ransom (to be paid into the time-mission for the desperate). When Weis refuses to pay, Will decides to release a disappointed Sylvia anyway. She calls Weis from a pay phone, but they are ambushed by Raymond, whom Sylvia shoots in protection of Will.

Will and Sylvia decide to team up and begin robbing Weis’ time banks, giving the extra time capsules to the needy/poor. After a ten-year reward is offered for their capture, Fortis’ gang tracks them down to a hotel room. Fortis challenges Will to a “time-duel” to the death, in which Will times out Fortis by applying his father’s time duel trick; easily surprise shooting the rest of the gang as they’re distracted by their boss’ last dwindling seconds. However, the pair soon frustratingly realise they cannot steal enough time to significantly change anything, as New Greenwich simply raises prices to compensate for the extra time citizens now have, leaving them in the exact same predicament.

They successfully rob Weis’ personal vault and obtain the one-million-years capsule. Raymond chases them back to Dayton, but is too late to stop them from distributing the stolen time as Will distributes the time to the girl. After chasing them to the city’s outskirts, Raymond reveals that he also came from Dayton and intends to stop other Daytoners from doing the same. However, he realizes too late that he forgot to collect his daily time allotment and times out. Will and Sylvia, each with just over a minute to live, race to Raymond’s patrol car. Will collects Raymond’s daily share and runs back to Sylvia in a scene reminiscent of his mother’s death. This time, he saves her when her clock only has seconds left.

TV reports show factories in Dayton shutting down as everyone has enough time and abandon their jobs to go to New Greenwich for a little taste of luxury and freedom. Will and Sylvia continue robbing banks as part of their efforts to crash the system, while the rich attempt to cope with the sudden surge of people infiltrating their zone. In an end scene, they get out of the car whilst reloading their guns, “Told you there were larger banks” Sylvia tells a smiling Will, who replies “You almost lost your calling”. Exhilarated they both run up the stairs towards the large building, armed and ready to continue the fight… and to live! (source: wikipedia).

Click here to view the trailer.